Wooden Figures

wood figurines

It's amazing how many wooden figures, games and unique pieces you can find there + of course the labyrinths. Wooden figures are made of solid European beech and maple wood, from sustainably managed forests. Make a beautiful scene by decorating a Waldorf birthday ring or seasonal centrepiece with hand-painted wooden figures.

Ostheim wooden figures

Wooden figures handmade by Ostheimer... Select from everything from traditional families and peasant figures to tropical wildlife from around the globe. Aries from Ostheim is a breathtaking piece of wood, tanned everywhere and an impressing character..... The cozy Ostheimer ice bears are beautifully easy to handle, with a large..... That bay steer of Ostheimer stands with his face down.....

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Landscapes Lanka Kade Natural Wood Animal Figures - Worlds Animal

All Chunky wooden figures are handmade from durable wooden gum. Every figurine is handmade from durable caoutchouc and has been decorated with beautiful detail on the front and back, revealing the inherent beauties of the woods on the side. A fairly traded wooden figurine.

Lanka Kade has its own fairly traded policies in supplement to the 10 principles of internationalism. - The prices for our goods are full and equitable.

Antropomorphic wood sculptures from Central and Northern Europe

Human wooden figures, sometimes also known as polgods, have been found at many archeological places in Central and Northern Europe. In general, they are considered as ritual pictures, in some cases probably as representations of divinities, sometimes with a Votiv or apotropic (protective) role. Tacitus probably did not recognize the more simple Germanic ritual pictures as equal to the more mature pictures of the Romans or was not aware of them.

Carving forks with more intricate figures recalls the "wooden men" or "tree men" of the Eddian poetry "Hávamál": Also other more or less modern lyrics bear witness to wooden figures in the Nordic world. In a disdainful way, the scriptures of Christians relate to wooden "idols", such as the character of the Freyr in Gunnars àáttr helmets.

In Ibn Fadlan's report on the Volga Vikings from the early tenth centuries, he wrote that as soon as they enter the port, they abandon their boats with meals and drinks and offer them on a large chunk of timber with the face of a man cut in it, flanked by smaller similar figures.

On the basis of the finds in Oberdorla, Günter Behm-Blancke has divided the figures into four groups: Most of the surviving figures are made of alder. Most of them were probably favoured because of their durability in the mostly moist places where they were stored. There are relatively few figures found in settlements in Celtic-speaking areas, and due to overlaps with Germanic-speaking settlements, especially in the North Sea region[28] it is sometimes hard to classify a character to one or the other group of persons.

Slavonic statue of a gods, around the fifth c: Altfriesack, ^ Francesco Menotti, Wetland Arcaelo: Beyond: University of Oxford, 2012, ISBN 9780199571017, pp. 193-94. Miranda J. Aldhouse Green, An archeology of images: Routledge, 2004, ISBN 97804152525252539, of the 60. Bente Magnus, Men, Gods and Masks in Scandinavian Eisenzeit-Arts, Ten Thousand Years of Popular Arts in the North; Scandinavian Eisenzeitkunst 1, Cologne: König, 2006, ISBN 9783883759852, Tafel 55.

North American Academic Press, 2006, ISBN 9789189116818, p. 26-32, p. 30. Angela Hall, Woodbridge, Suffolk: Brewer, 1993, ISBN 9780859915137, representative 2000 p. 3. Polgötter", Simek, Dictionary of Northern Mythology, p. 258. University of Oxford, 2011, ISBN 978-0-19-811182-5, p. 12.

James E. Montgomery, "Ibn Fa?l?n and the R?siyyah", Journal of Arabian and Islamic Studies 3, 2000: "This wooden figure has a face like a man's face and is encircled by small figures with long wooden figures in the floor behind it. University of Edinburgh, 1980, ISBN 9780852243633, p. 48.

In The Life and Times of Oswald of Northumbria, New York: Head of Zeus, 2013, ISBN 9781781854174, n.p. proposes a Franconian easel. The Possendorf figurine was about 90 centimeters in size and probably from the second half of the 19th C.. Batavanian Lion, 1996, ISBN 9789067074, p. 104. Torsten Capelle and Bernhard Maier, "Idole, Idolatrie", in Reallexikon of Germanic Archaeology, 2. edition, vol. 15, Berlin / New York: de Gruyter, 2000, ISBN 3-11-016649-6, p. 325-30, p. 330.

Nico Roymans, tribal societies in northern Gaul: Amsterdam University, Albert Egges van Giffen Institute for Pre- and Protohistory, 1990, ISBN 9789070319137, p. 62. University of Cambridge, 2010, ISBN 9780521176408, p. 7, ill. 33, p. 36. Ian Armit, Celtish Scotland, Historic Scotland, Londres : Batsford, 1997, ISBN 9780713475388, S. 87-88.

German material culture in pre-Carolingian Central Europe, 400-750, Nordwelt 1, Leiden / Boston: Brill, 2001, ISBN 9789004122987, table 50, p. 53. Archaeology and Ethnology Institute, Polish Academy of Sciences, 1994, ISBN 9788385463276, p. 205.

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