The Lau

Movies - RAI MOVIE

The movie concentrates on the Solomon Isles living on man-made isles near the Malaita isle. They are made of remnants of coral and have been dragged to avoid the danger of indigenous diseases and to find better catch.

It concentrates on changes and conflicts. Customs " is essential for the identities of the island' s inhabitants, but it is mainly undermined by the missionary Christians. Now, the clash between Christians and Gentiles is permeating everyday lives, causing splits in the family and the erosion of agronomy. Two" custom" ministers recently commited ceremonial suicides, one by floating under a woman-cano and the other by intentional mistakes at a ceremonial.

In a matter of a few months, both of them were killed in physical death. Desperation over the capacity of "habit" to go on, which these preachers must have felt, is visualized throughout the movie. Only a few of the island' s inhabitants recall more than a small part of the hundred types of alcoholic beverages and young people are turning more and more to the tradition and goods of the West.

Inspired by the arrival of the Disappearing World cameramen, the inhabitants of the island constructed a home where they could keep their ancient and ancient items. This is a laudable act of conservation on the part of the island' s inhabitants, but at the same the consequences of their actions are sad. You take your spiritual things out of the spheres of life, of everyday traditions and place them in the field of unbiased story.

Reviews of the movie in Visual Anthropology Vol. 1, No. 4, pp. 482-83. Reviews of the movie. correspondance on the movie. Reviews of the movie.

Life of the Lau

in the front garden of her home near Puako." A few mates on the floor chop off the dull ends and hot points of the fallen sheets with shake off. The whole afternoons the members of Aha Puhala Oh Pune, a group of Hilo craftsmen dedicated to the craft of loom making, come to the clubs year end treetre.

Your aim - besides relaxation, food and of course loom - is to get ready for the forthcoming Moku o Keawe International Moku o Keawe Contest, a tiki contest in Waikoloa Beach Marriott. Katie, chairwoman of the association, estimated that they would need 1,500 three-quarters customs Luauhala strip. While the ladies are preparing the sheets, the special guests come:

Aunt Elizabeth Malu'ihi Lee, a temperamental 80-year-old hatter from Kona. "It all has a beginning," she says to new Webern like me. "As the harvest in the front garden goes on, Aunt Elizabeth also begins at the beginning and remembers how her romantic scandal with Linhala began. When she was 6, Elizabeth woven complicated treasuries at the tender ages of 10, each earning 20c.

After sunset, they dare to cross the courtyard to a tranquil spot on Waialea Beach to take a bath in the sea before supper and let the newly plucked liauhala dried over night under a hot oak grove. Following the Hawaii myths, when Pele first came to the Great Island, a halabaum tied her to the water.

and where they ended up, the Halah arose. Maybe the thala, also known as the panda or helical jaw, was here before Pele - it is one of the oldest tree in the world, which is about 250 million years old. In Polynesia, Melanesia, Micronesia and as far as the east African isles, halas grow individually or in groups, preferring coastline, dales and slopes up to 2,000ft.

His striking supporting root, reminiscent of a tripod, was the inspiration for his nickname "the wandering tree". "Cluster of halas often look like they belonged to the other side of Lewis Carroll's mirror, where they could wiggle through an bewitched wood and wag their green pompons. Being such a precious asset, it is likely that Polynesians travelled to Hawaii with Sami.

However, a petrified halafruit found in a 500,000-year-old stream of caua' i confirmed that the forest was here long before man. The early Hawaiians appreciated the Halabaum for its countless use. Halafruit, which was consumed only during periods of starvation, looks like a crossing between a pinecone and a pinapple; it consists of two-inch long "keys", also known as stone fruits or phalanx.

It can also mean "gone" or "missed", and it can relate to a slippage or error, so a hello to New Year's Eve says goodbye to past resentment: Suddenly the old year has disappeared. "But giving Halloween to tiki dancing, travelling business people or elected leaders is misfortune.

Calabash and post were made from the fine solid timber of the males. This is a smooth, rough timber of the feminine forest, which has been dug out to transport moisture between Lo'i (taro fields). However, more than any other part of the trees, Hawaiians appreciated the blades for weaving basket, mat, canoe sail, cushions, hats and canopies.

Marques himself is a gifted artist and has studied many pieces of tall and macaloa (sedge grass) in the museum's collections. He even developed long lost crafts. The company became so specialised that the webers could be recognised on the basis of their sample signatures. Even though Hawaii no longer needs braiding, it is still an artwork.

He points out that man still values hand-made laurel presents because the manufacturer's qigong (the spirit power) is kept in the products as long as it can be. Likewise, the city is constantly interwoven into the Hawaiian culture - it is so omnipresent that the inhabitants hardly even notices it: hampers with jewellery in aunt' s shops, feather-looks decorating their aunts' head or the purses they wear, the designs adjacent to Hawaiian shop windows and websites.

Lauhala, you might say, is Hawai's style. Your grandpa once made a sandal from uthala, the hola rooot, because the spiky rind of the rooot gives grip on moist rock, but today's generations have largely forgotten the interest in studying a hard and meticulous craft that no lone man can directly use in fashion.

Aha Puhala O Puna's craftsmen not only want to care for the tree, they also want to conserve the uplana, the art of weaving. Aunt Elizabeth says purchasers "don't look at work". "Unfortunately, this makes the already small Hawai'i-grown and Hawai'i-made markets for Hawaiian lauhalas even smaller, so that today's practical people are passionate about weaving, not for cash, and in their free times.

Aunt Elizabeth established the Ka Ulu Lauhala o Kona Konferenz in 1996, an international meeting at the Kona Village Resort, which unites webers from all islands and around the globe. On Saturday mornings, the tailors gather in the back yard to get ready for the Lau. Katie says the cold, humid early spring makes the sheets supple, making them easy to wash, smooth, curl and slipper.

Sitting in a relaxed circles on the grass, the group is encircled by buckets of pail, cloth, spray flasks and sheets, all over. Only a few separate the keel-shaped middle ribs and divide the two to four feet long blades into twohalfs. Aunt Elizabeth slices the sheets into even stripes with a wood koë. The aunt is particularly proud of the laureate's qualities.

She rebukes the newcomer when she discovers powdery mildew on Genera Esquerra's leaf. "If you pluck leaf, you don't pluck garbage. "However, immaculate sheets are not easily found. Halabooms contain all types of pest - centipede, spider, cockroach, rat, amber jacket, aqui frog - that can attack the leaf (not to speak of harvester).

Probably the greatest menace is a minute little dark-beetle, a graduated device that struck Mauis halah in the mid-1990s. A non-indigenous mosquito causes the leafs to turn green and the twigs to tear. Failure to detect the presence of controls could cause Mauis Shala to suffer the same tragedy as the Rarotonga panda, which was exterminated by an invading fly in the 1920s.

Also, the polluted atmosphere harms jellyfish; weaver who want "clean" jellyfish often have to accumulate far away from the streets and the steam vane of Mauna Loa. "Auntie, how do you do it so quickly? The same concept as when typing," says Aunt. but auntie makes it clear that you only betray yourself when you betray yourself.

"If you do something, I want you to do it with your own hearts, not with your eyes," auntie states. They' re speaking in some kind of lachala morse code: I' m gonna squash the sheets by mistake. Then I take a minute to look at my creations and look at my aunt who holds a huge bird's nest of at least a hundred straw-thin stripes spread out in all directions.

Everyone except Aunt, who weaves with certainty, quietly and alone, on the land. Throughout her life, Aunt wove so many caps that she could number them in several hundred - a few hundred for Merrie Monarch, two hundred for a Japonese tula holau (hula school), a few hundred for a land-mark.

The aunt brings back the smiles of the girls. "She says it's a good thing I have my Lauhala!"