Samoa Visual Online

samoanan japonese artists Yuki Kihara's photo set Where Do We Come From? The project (2013) concentrates on places of contemporary and historic importance in Samoa..... By taking over the 1897 work of the Parisian painter Paul Gauguin, Kihara signalled her wish to enter into a dialog with Gauguin and the story of color photographs, dealing with the story of the Pacific's representational role in the West.....

It is a copy of Thomas Andrews Samoan Half Caste (1886), a character in Viktorian gown, who draws the eye of the beholder and calls everyone to communicate their act of grief in these places.... It also shows how the Samoan approach of the Samoan v? shows how the Samoan approach to the story and how there is a collapse of spatial and temporal times to create an appreciation of both the country's present and the possible futures that such a story entails....

The Predictive Framework from Evidence", Wissenschaft 341 Nr. 6145 (2013): 514-519. View of the Pacific Islands (1886). Decolonization and the Pacific: Indigenous Globalization and the End of the Empire . The Cambridge University Press, 2016. Hawai'i Press University, 2007. "New Zealand Story (2015). The University of Missouri Press, 2008.

Cameras on the Coral Islands . This is Carter Jennifer M. T. Painting the Islands' million : The Melbourne University Press, 1999. The Pasifika Press, 1996. "In European influence and Pacific influence: Colonial Policy in the Pacific Islands and the Indigenous Response, published by Hiery Hermann J. and MacKenzie John M., 231-258.

Hawai'i Press University, 1995. Kihara, Yuki. The Milford Gallery, 2013. The Making of Modern Samoa: The Traditional Authority and Colonial Administration in the Story of Western Samoa. University of the South Pacific, Institute of Pacific Studies, 1987. Photograph Coloniale von Samoa, 1875 to 1925, published by Blanton Casey, 105-129.

Photographies of Samoa in different Context. "Kihara Shigeyuki, catalyst of change." "Take off the Pacific. "Skhigeyuki Kihara: Take off the Pacific. Squats collections, 2013. "The depiction of Samoa in illustrated journals and series encyclopedias of the early twentieth century". "The Journal of Pacific History Band 41, Nr. 2 (2006) : 207-217.

Refiti, Albert L. "How the T?-V? theories of reality constructed a spatial representation of Samoan architecture. "Heresy Papers in Pacific Thought (2013). "Serguei Kihara: Dusky Maidens et Tropes exotiques du Pacifique Paradis". United States foreign policy on Samoa. Yale University Press, 1933.

The University of California Press, 2009. "Serguei Kihara: The Dark Angel of History. "Tautai, June 2013. The ritual of Samoa through experience of deaths and grief. Waikato University, 2015. Kihara Shigeyuki met the Anthropocene". "Serguei Kihara: Take off the Pacific. "University of Otago Library, 2013. Spenneman Dirk H. R. Tattooing on the Marshall Islands .

It' a Marshall Island town. Chicago-naturalhhistory museum, 1949. "Journal for Intercultural Studies Volume 25 No. 1 (2004): 35-46. "Serguei Kihara. "Salts 8 (2013). Insert to Marshall Sahlins' journey around the "Islands of History". Australian National University Press, 2009. Teaiwa, Katerina M. "An interview with the interdisciplinary artist Shigeyuki Kihara.

Sexuality and gender in Asia and the Pacific 27 (2011). "New Zealand story. Samoa, Stevenson and'The beach of Falesa'". "People of Lalomanu in Samoa Remember the 2009 tsunami". "Pacific Islands report. By Samoa Observer, September 30, 2013. "The University of Auckland News for employees. "The Australasian and New Zealand Journal of Art Vol. 13, Nr. 1 (2013) : 104-25.

"Kihara's Shigeyuki Fa'a fi fiine; In the manner of a woman." "Pacific Art Volume 10, No. 2 (2010): 23-33.