How did the Easter Island Statues get there

Where did the Easter Island statues get there?

They have observed that fat bellies have made the statues tilt slightly forward, and heavy, D-shaped bases could have allowed the handlers to roll and rock the moai side by side. A statue on a restored statue platform on the south coast of Rapa Nui bears a red stone hat on its head. Scientists had no idea how to make the model work. Please visit to find out how you can get involved in scouting.

- In her opinion, the statues were moved into prone position.

Scientists know at last how the statues of Easter Island got their herds.

Easter Island statues, or mai, are puzzles of several tons. Just like their caps. The" how" and the" why" of these rock accessoires, namedukao, rested on the archaeology teacher Carl Lipo of the University of Binghamton. To such an extent that he went to Easter Island with a research group to find out. But the statues themselves are secretive enough.

Constructed about 700 years ago, there are speculations and theory for hundreds of years about how the Rapa Nui could build and move the complex. "It' s difficult enough to understand how they managed to get these huge statues, the sizes of houses, to put much smaller sized caps on them, weighing as much as several tons," said Lipo As It Happen's hosting Carol Off.

One of the most common answers is that the huts were constructed as part of the initial mosai, but unfortunately. "Most of the statues are made of a certain rock from a certain kind of pit called Rano Raraku. They are made of another rock - a scarlet scalia fabric - that has been cut from another rock pit on the other side of the island," Lipo explains.

" To get the huge caps on the huge minds of the mai needed more technology than heaving. Lippo and his crew made 3D models of the statues and their caps to investigate the "how". Allowing for the use of a cable.... and generally to wrap it around the center of the tire (hat) and pull the punkao up the slope in an ascending fashion," said Lili.

"One might think: "Why would anyone do that on this small island so secluded and insulated? Lpio said. "He declared that these statues depict their forefathers, and the caps are an ornament on the statues that guard the fellowship and protect everyone. "Part of the other part of the response is that this activity, where individuals had to come together, gathered the fellowship to exchange information and materials.

In this island, which is very isolated and very small, resource-sharing will be extremely important," he said. "Making statues and placing caps on them and doing all the things related to statues made the fellowship stronger and very effective. "Lipo's research indicates that the caps were not part of the initial statues, but were added later when the societies watched each other's work.

"He said, "They began competing with each other to make ever larger statues, and the addition of a cap on top surpassed the neighbor and added extra surplus efforts to show how powerful this fellowship was compared to other comunities. Again and again they wonder what happend to the Rapa Nui who invested so much in the production of these statues.

It is theorized that deforestation has resulted in a decrease in populations through the acquisition of statue-forming natural resource. Things Lipo thinks on the basis of decade-long research are exactly the opposite. An archaeologist assumes that the construction of the statues rescued the Rapa Nui family. "Producing these statues, wearing caps on them, was really important for the lives of the island's people," Lipo said.

"That was the mechanics that made them succeed by bringing the fellowship together, forging a fellowship in which they could share their ressources and see their identities together when things were hard.

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